SLEEPLESS Episode 4 Season 2 of The X-Files

They cut out a piece of my brain…

Synopsis: Mulder teams up with Krycek to investigate a mysterious death and the pair uncovers a top secret military experiment and a man who has not slept for 24 years.

Sleepless represents the first Howard Gordon script without co-writer Alex Gansa and the finale instalment of season 2‘s early three strong grouping of MoW episodes. Just as we saw in the previous episode Blood, the science bit could only be viewed as incredible however it makes for a fun 45 minute paranormal outing, which includes the U.S government’s penchant for human testing and general disregard for life and a menacing and unpredictable killer as well as a premiere performance from the reconnoitring untrustworthy Alex Krycek and the mysterious Mr X.

First that science bit. It is all obviously tongue in cheek, to sit here and pick holes in it would be no different than being that person, who whilst watching a magicians card trick states ‘that’s not magic’ neither an endearing quality nor a beneficial one. The only thing you should do is sit back and enjoy the show ladies and gentlemen. The idea that the government was experimenting on its own troops in Vietnam to create a super soldier is actually a quite credible one and a continuation of the themes found in Deep Throat, Eve, Young at Heart, Erlenmeyer Flask and Blood and represents a just cause for Mulder to fight for.

The X-Files episodes which centred on government testing of their own troops and civilians almost always allowed for the antagonist of the story a chance of redemption as an indication to their own victimisation. Corporal Augustus ‘Preacher’ Cole is no different in fact all he wants to do is go to sleep but not without taking down his old murdering squad colleagues before he does. I feel uneasy that Mulder is so quick to sympathise with a man capable of murdering defenceless men, women and children and who also instigated two cops to shoot one and other leaving one in a coma and the other presumably dead. Mulder’s sympathy may possibly be a shroud to cover his true selfish intentions of wanting to take his man alive as hard evidence, proof to the fact that the U.S government are as underhand and callous as he says they are and thus gives more reason to the re-opening of The X-Files. Be that as it may Cole’s actions are still inexcusable and Mulders ability to simply brush over these facts irks me a little.

You will recognise war vet Cole although some may not know from where, he is played by veteran actor Tony Todd whose distinct deep reverberating voice and threatening appearance has made him somewhat of a genre favourite amongst scare fans and one of his earliest screen outings was the haunting Vietnam masterpiece Platoon, a combination of the two guises works ever so well here. Todd dose brilliantly with what screen time he is permitted. His scene in the Brooklyn apartment in which he has the Vietnam victims made up of women and children shoot dead his ex-marine comrade is chillingly conspicuous.

Sleepless sees Mr X unveil himself to Mulder for the first time. The new informant hands over a report to Mulder to help with the case. Mr X’s motivations will always remain clouded. Deep Throats intentions were seen a pure and selfless and a way of atonement for past misgivings whilst the intentions of Mr X will never be so black and white, his affirmation of the fact that he will never sacrifice his life for the information he has, dispels the idea of a crusader for truth and portrays a more narcissistic character (although in hindsight we do know differently). Mr X’s admission of having known Deep Throat personally and of his duty to Mulder and The X-Files may go some way to explaining his new position of informant, that’s just one we‘re allowed to work out for ourselves.

There is another arguably even more important character introduction in this episode. Special FBI agent and rat for the syndicate Alex Krycek makes his first appearance on The X-Files. After a rough start his all too eager to please attitude eventual begins to break down Mulder’s proverbial wall constructed of ‘trust no one’ mortar and come on admit it he fooled you as well. Krycek gave The X-Files so many twist and turns and the inception of this character was pure brilliance as was the casting of Nicholas Lea who was not only suited to the role but also gave nothing less than 100%.

Although Kryceks introduction holds high significance you may notice my establishment of the character has purposely been down played as I don’t think what the Krycek character represents to the franchise as a whole should take away from Tony Todd whose performance elevates this episode from a basic standalone MoW to a much greater one.

Musings:

• I clocked Scully’s screen time at around the 2 minute mark all of which was spent devoted to Mulder, no real point to this musings except that I hadn’t mentioned her name at all during the review.
• The parallels between Blood and Sleepless are so glaring that it seems weird that they would be played back to back. Perhaps to reiterate the point of Mulders contempt for a government that runs tests on its own people without their consent or well-being in mind. The suicide by cop ending which sees Mulder trying to salvage the situation also mimics blood and maybe a good precursor to his negotiation skills in the build-up to the following episode Duane Barry.
• See what happens when you remove Gansa from the equation. Sci-Fi and the paranormal just arn't his strong points.

Watch Sleepless Instantly!

BLOOD Episode 3 Season 2

‘I played right field’

Synopsis: An experimental pesticide has an adverse effect on its town when the inhabitants begin to embark on killing sprees culminating in suicide by cop.

It is impossible to think that this unforgettable episode will ever cease to become anything less than enjoyable and being a true favourite of mine I cannot wait to surmise the bountiful reasons as to why!

KILL, KILL’ EM, KILL’EM ALL Each violent instruction introduced by a high noted and sharp bang on the piano keys followed by a thumping heart beat drum rhythm. Straight after our opening teaser with the once mild mannered now disgruntled postal worker Edward, we discover that these cases of digital orders prompting there victim to act on murderous impulses are not isolated incidents but more of an epidemic in the usually peaceful town of Franklyn Pennsylvania. The premise of which is wholly exciting, dangerous and mysterious.

The spree of superficial random acts of violence is quickly continued with vigour by the vigorous porn/television actress Ashlyn Gere giving this episode an even finer cutting edge, her character’s virginitiphobia has to be an insider nod to her customary profession as does her attack on self-confessed sex addict David Duchovney (I kid obviously, David wasn’t diagnosed with sex addiction back in 1994 he was however diagnosed with young free and single-ism at the time).

Steady television actor William Sanderson’s portrayal of a sweaty nervous disgruntled postal worker on the edge of break down is superb. We eagerly anticipate his inevitable killing spree, with each passing opportunity more tension builds and culminates in an expertly derived unhinged shooting from top a clock tower and Mulder and Scully’s race to prevent it.

Mulders exposure to the experimental pesticides used on Franklyn’s crops is a wonderfully clever and subtle addition to the story line, the LSDM only effect on him is the message he received on his mobile phone ‘ALL DONE…BYE BYE’ the message could have only been sent by the government syndicate in charge of the spraying and this type of shadowy unknown government group going as far as to conduct inhumane experiments on its own citizens is what Mulder fears most.

This episode acts as a great exhibition of Mulder’s humour and reverence to his wit. One liner abounds and always gives reason to a re-watch. I particularly like his defence of playing right field in baseball and also noticed his immature ‘rubber’ joke that must be yet another homage to Ashlyn Gere’s profession.

With Mulder and Scully still on temporary hiatus the cameo by The Lone Gunman seems ideal. This is nothing more than a gentle re- introduction and they only conspire on Mulders own thoughts by adding in a brief history lesson on Government conspiracy with experimental pesticides. It is great to welcome them back and this time in shadier surroundings to their E.B.E premiere.

There is obviously one massive and confusing plot hole in Blood; the murderous instructions being able to be displayed on any electronic screen or display seen by any of the hundreds of people exposed to the LSDM. You may say perhaps due to the LSD contained within the LSDM that the victim’s fears prompted a visual hallucination on these devices which doesn’t go as far as to explain how each visualisation of the phrase 'kill them' are distinctly abbreviated in the fashion ‘KILL’EM’ as you would expect each individuals spelling to differ.

This level of technology and surveying is completely impossible so on the first few watches I hoped I had missed something but believe me it is what it is and in truth that is completely forgivable because this thrilling effort from Glen Morgan and James Wong makes up for its lack of plausibility with pure minute to minute humour, tension and well erm….. thrills!

Musings:

Just one, Scully’s sly introduction into this episode didn’t go unnoticed, I’m watching you. 

Watch Blood Instantly with Amazon

THE HOST Episode 2 Season 2

I wouldn’t like to meet the Russian that had to pass this tapeworm!

Synopsis: After being given a disgusting assignment, Mulder begins to believe that his position at the Bureau is becoming untenable yet there is a lot more to the case than first meets the eye.

Time to turn the repulse-meter to maximum and I mean maximum. This mutated tape worm is without doubt the most disgusting creature ever conceived by Chris Carter and The X-Files team and this memorable creature holds a special place in many X-Philes hearts, she has even been affectionately named Flukey among The X-Philes faithful. It has been said that Gillian Anderson herself named The Host as the most disgusting X-Files episode she ever had the privilege to work on.

Flukey, happy to lie in wait in human excrement, has a face only a mother could love which is most probably why she is the proud owner of an asexual reproductive system and her method of incubating her parasitic offspring is tantamount to rape. I label Flukey as being feminine and reframe from using the name flukeman because she has to be one or the other and she reminds me of my mother-in-law. I will never forget the first sight of Flukey trapped in the transparent pipe at the sewage plant; excuse me if you think I am being too sympathetic here but she looked scared and confused as if she was trying to figure out who these people were and who she was.  We can assume that as a genetic mutation by radiation that Flukey is the only one of her kind and that her own existence is just as baffling to her as it is to anyone else, just like my mother-in-law.

This episode could have easily relied upon Flukey to make it a big hit and that would have been fine by me yet Chris Carter’s spices things up with some added ingredients. Mulder is back from his close encounter, back to his surveillance detail and thus back to his morbid disposition, threatening to leave The F.B.I in hope that he can pursue his investigations into the paranormal along a different path. He draws this conclusion after being what he considers to be ‘jerked around’ by Skinner and the F.B.I by his sewage based assignment. So it is funny that it is this assignment that gives Mulder hope of a continuation of The X-Files or at least investigating the paranormal, a notion vindicated both by Skinners admittance that The X-Files was shut down somewhat prematurely and also by the emergence of a mysterious ‘friend’ at the F.B.I. The ‘friend’ we later find out to be informant Mr X or simply just X. I can only draw the conclusion that Mr X had a hand in Skinner presenting Mulder with the case in an effort to re-establish the importance of The X-Files.

What gives this episode its piece of individuality is that Flukey is caught very early on, not only that, she represents hard evidence of the paranormal and proves Mulders doubters that he isn’t away with the fairies, in-fact this giant mutated Fluke worm is worthy of a Noble prize! So it seems strange that the reaction it receives seem so downplayed and I can’t help but smile at the idea that Flukey is to be treated at a psychiatric hospital, no wonder she looks so confused.

This popular MoW is utterly disgusting and brilliant in equal measures and made famous by the evasive Fluke worm.

Musings:

• Mulder and Scully appear more relaxed with one another after their exploits in Little Green Men, as if the relationship is settling from the adjustments of being partners to being friends.
• The heavy Fluke suite took so long to put on and remove that future X-Files writer Darin Morgan apparently wore it for 20hrs straight. Chris Carter joked that the wearing of the suite should be a rite of passage for any budding X-Files writer.
• Flukey got cut in half and she survived, sure she is a worm after all but don’t forget about its offspring from the sewage worker that escaped down the shower waste. New Jersey certainly did have a problem on its hands. I wonder if the sewage workers felt comfortable with re-entering the sewers.
• Who would I least like to find coming out my toilet, Tooms or Flukey? Errr……Flukey! 

Watch The Host Instantly with Amazon

LITTLE GREEN MEN Episode 1 Season 2 of The X-Files

No, Jorge, don’t touch that red button. Noho on the Roho.

Synopsis: The closure of The X-Files has left Mulder without direction, until a friend reaches out to him with some significant intelligence.

It’s season two of The X-Files, it’s time to get serious. A lot of Season one’s charm comes from its innocent misgivings, season two did not have the same luxury and had to mature. Season two needed to wow from the start. With time and money vested in growing its popularity Chris Carter and Co needed to grab the attention of the shows newcomers whilst staying faithful to The X-Files philosophy. With Little Green Men, Morgan and Wong nailed it using the right blend of emotion, conspiracy, scares oh and the first sight of an extra-terrestrial!

The first episode of the second season hooked millions of new fans to The X-Files, compare Little Green Men with its spoon feed treats, silky camera work and exotic locations to the pilot episode. In many ways they are similar but at the same time they are truly worlds apart.

The opening to this episode is as intriguing as it is clever. The introductory monologue tells the story of the voyager program and hints towards its successful contact with alien life from the far reaches of our solar system.  If the promise of contact is intriguing how about actually making contact? I remember the sight of the slender E.T as pure sensory overload, for avid fans and new comers alike, a great piece of television.

So our aliens finally have a face, well outline to the body anyway. As part of a semi-reinvention to The X-Files universe they are no longer seen as the atypical invisible scavenger like creatures depicted in Fallen Angel but the more traditional slim big head big eyed aliens from so many documented accounts of close encounters.

Both the dream sequence of Samantha’s abduction and the contact Mulder experiences at the observatory are hair-raisingly to say the least but for a good old jump out your skin moment look no further then Jorge in the bathroom  it got me 18 years ago and it still gets me today. Poor Jorge left looked inside the observatory for some inexplicable reason, his inclusion in the story an inspired one, how long had he been there? How many times had he been abducted? For a grown man to be scared to death it would take something callous.

The mythology arch of this episode was a true indictment of how far The X-Files had come in its short tenure and what direction it would take, a brief peak at an alien was enough to get us salivating at the mouth and we wanted more. So did Mulder

The unkempt Mulder stuck on an endless wiretapping detail seen earlier on in the episode was a depressed shadow of his former self. He allowed himself to question his own beliefs; his paranoia raged uncontrollably and seemed a man devoid of all-purpose. Without The X-Files Mulder felt worthless, although hope remained in the guise or Senator Matheson. His apology to Mulder about not being able to secure The X-Files future tells of his vested interest in the cases and that he was most probably Mulder’s friend in Capitol that he refers to in Pilot and to whom Skinners referred to in Tooms.

Mulder heeds Matheson intelligence and travelled without hesitation to the satellite observatory in Puerto Rico with complete disregard for his assignment with the Bureau. Telling in that his prerogative to a regular pay check pales in significance to his search for the truth. I find Mulders use of the Dictaphone brilliant as not only was it a good way of explaining to the viewers what the partner-less agent is seeing but also his reactions to what he was seeing, it was interesting to hear him doubt himself without Scully’s faithful ear to bend and in hindsight and a view to subsequent seasons it is especially interesting to hear him cast doubts 

over the events of Samantha abduction.

Mulder made sure Scully had her work cut out in Little Green Men. Her shoulder to cry on was all that was keeping Mulder in anyway sane, she believed in him even if he didn’t. With Mulders fantastical imagination and hostility towards authority figures it is easy to forget that Scully is three years his junior and that a year prior to Little Green Men Scully was heading for a perfectly amicable career in the FBI. She takes it upon herself to follow him blindly and back him at all conceivable cost. Lying to her peers she evaded the watchful eye of the bureau surveillance team and heads all the way to Puerto Rico, the airport scene is reminiscent of the airport scene for E.B.E and typical of the sort of covert methods taken by Mulder. Without this level of devotion and sacrifice Mulder and Scully would never have worked. Scully’s eleventh hour appearance is all that saves Mulder from the shoot to kill U.F.O crash site recovery operation team. This was not the first time Scully had saved Mulder’s life and it won’t be the last, debunking the theory of Mulder constantly saved the damsel in distress; Scully. Well actually he does but what I am saying is that it was not all one way traffic.

The cherry on the top of the icing on top of the cake for this episode and one of my all-time favourite moments from the second series is the final scene that not only authenticates Mulders paranoia to his being watched but also creates one of these; that awkward moment when Skinner yells ‘get out of my office’ and you think his taking to Mulder but his really talking to me! Ha love it and its significance to the development of Skinners character, he is no puppet but whether he likes it or not he cannot sit on the fence forever.

Consider attention grabbed Chris Carter there is nothing to dislike about this strong episode, its imagination and constant of thrills sees to that.

Musings:

• It seems Mulders has been ‘hounding’ a lady for a date, I doubt that very much given his demeanour at the time and I am guessing that message was from an admirer of which I assume Mulder had many.
• The big bucks second season means a proper Hoover building, the guts of which now look authentic and is a series main stay.
• Mulders dream sequence of Samantha abduction differs from his recollection of the event via hypnotic regression. C.C explains the phenomena as possible inaccuracies in hypnotic regression. Want to know the real reason? Morgan and Wrong had never seen Conduit!
• The alias George Hale is in reference to the mentally ill scientist that Mulder compares himself to during the covert meeting with Scully in the car park. If you have time Google him for a fascinating read.
• Voyager 1 is currently the furthest man-made object from Earth, it is still in our solar system but scientists predict the craft to reach interstellar space within 3 years. I hope it doesn’t attract any unwanted attention!

Watch Little Green Men Instatnly with Amazon

The Six Best Monsters From The X-Files Season 1

Developing a premiere season is a tough task for any producer but what made Chris Carter and Co. jobs that much harder was the originality of The X-Files, it was experimental broadcasting  with no guide rope they just had their creativity, instincts and penchant for anything spooky, oh and they also had the notorious FOX Network executives to deal with.

The first season of The X-Files was rich in Monster of the Week episodes, in-fact it boasted nineteen in total the highest amount of stand-alones in any of the nine seasons.  Not all were classics mind and some were definitely dud but there was many diamonds amongst the rough.

Some of these monsters make the cut because they are just plain scary especially for the John Doe of 19 years ago some however make us smile and others make us sad.

With so many MoW’s to choose from narrowing them down to a list of six was not easy but here it is, the definitive list of the six best monsters from MoW episodes:

6. Cecil L’Ively, Fire

Possibly a controversial choice, Cecil’s general exclusion from these types of lists can only be merited to the overshadowing hate for Phoebe Green a women equally annoying and fugly. Cecil just makes the cut based on the fact that he should not be underestimated. The highly intelligent psychopaths’ dedication to his killings is unrivalled and his anti-establishment views make him an ideal candidate for world domination. His each and every sanctimonious move derived from pure evil. A wicked black heart gets this pyro-kinetic monster a top six spot.
Watch Fire instantly with Amazon

5. Roland, Roland

The hapless autistic Roland was an early example of the variety of emotional avenues Chris Carter would be granted to travel down over the course of the next 8 seasons. This X-Files MoW week didn’t scare anybody it may have got a few laughs but in truth they only feeling we were left with was that of sorrow, loneliness and possibly empathy for the most innocent and ill-fated young man. Perhaps that is fear.
Watch Roland instantly with Amazon

4. The bugs, Darkness Falls

These carnivorous nocturnal bugs cocoon and slowly digested their prey, eating them alive. What makes their fear factor worse is that they are undetectable in daylight. They could be gathering around your bed waiting for darkness to fall. If The X-Files ever gave us a reason to sleep with the lights on this was it.
Watch Darkness Falls instantly with Amazon

3. The Eves, Eve

Creepy test tube twins Cindy Reardon and Teena Simmons both killed the respective adoptive fathers through means of exsanguination at the tender years of eight. These highly intelligent blood thirsty sentence finishers are destined to drive themselves to psychotic madness in later life, just ask their big sis, eye ball biter Eve 6.
Watch Eve instantly with Amazon

2. Luther Lee Boggs, Beyond the Sea

On death row and desperate for a pardon, Boggs claims he can use psychic channelling to help locate a killer before he kills his kidnap victims. His claims seem to hold up against adverse facts to the matter. Is he to be believed and even if he is; is this a chance for redemption and should his sins be forgiven? A most memorable character responsible for bringing passion to The X-Files, his importance to the show should not be undervalued.
Watch Beyond the Sea instantly with Amazon

1.  Eugene Victor Tooms, Squeeze/Tooms

We became acquainted with this bile spewing stretchy odd ball over two episodes that allowed us to get a real insight into his peculiar existence. Tooms appearance was also the first MoW appearance in The X-Files history. We learned early on that behind his jaundice liver hungry eyes laid the brains to challenge Mulder and Scully, he is good at what he does after all he has been doing it over a matter of centuries. His ability to stretch out and squeeze through the tightest of spaces meant that no one was safe from his appetite, his prey seldom escape. He was disgusting, the sneer on his face was unpleasant, his method of sticking his nest together was sickening and his methods of entry repugnant (the sewer especially). It was fitting that Tooms suffered such a gruesome demise at the hands of Mulder and an escalator, an unforgettably brilliant end that he earned and it was no less than he deserved.
Watch Squeeze and Tooms instantly with Amazon

There you have it my definitive list of The X-Files first season best monsters from MoW episodes. Let me know your lists, who would of you include?

THE ERLENMEYER FLASK Episode 24 Season 1 of The X-Files

This summary is not available. Please click here to view the post.

ROLAND Episode 23 Season 1 of The X-Files

Roland’s revenge

Synopsis: The deaths of two scientists linked by their work prompt Mulder and Scully to investigate.

The penultimate episode of the X-Files season one sees a repetitive, candid pattern turn full circle. Roland is another story of revenge from beyond the grave by controlling the will of an unsuspecting person, see similar season one episodes; Shadows, Space, Lazarus, Born Again. The decision for Roland to follow Born Again was myopic and if it were not for Roland’s saving graces this review would be just another scathe-fest. As a fan with many re-watches under my belt I find myself looking beyond the story. I feel as an X-Phile that it is my job to see what some may not and sing high praises to episodes found wanting by others and mainly I would just feel plain guilty trouncing this one straight after trouncing Born Again.

Always look on the bright side of life.

The performance of steady actor Zeljko Ivanek is convincing, his character, the autistic Roland lends inspiration and a numerical gift from the similarly named autistic Raymond from late 80’s hit Rain Man. It is one thing to curl up your hands, speak in a laborious monotone voice and role your head slowly back and forth, it’s another to pull it off. His efforts are matched by co-star Kerry Sandomerski playing Tracy. I knew she wasn’t disabled because I saw her on Fringe the same night I began this write up acting as a perfectly ably mannered nun. Nailed it!

I can’t help but feel a nerve tingling unease when watching their scenes inside the politically correctly named half way house, partly due to the direction and the other part possibly guilt. The dull ache in the pit of my stomach is more than evident, an emotion David Lynch himself would be proud of generating. I find myself relieved when they are over and yet somehow disappointed they are not longer. The finale scene in which Roland must leave Tracy is especially sad when you factor in the autistic persons slight understanding on love and the pairs inevitable loneliness. The dream sequences that use vivid colours contrasting black and white also resonates well.

Mulder shows his compassionate side once more in the way he interacts with Roland. The understanding and identification he shares with societies victims is always direct, just and sincere and in complete distinction from his contempt for the villains. He has displayed this tact with children, i.e. Born Again and numerous adults, i.e. Fallen Angel with a warm trusting manor. Perhaps this empathy comes from Mulders own feeling of loneliness and confusion. Sometimes however his directness allows his mouth to run ahead of him leaving Scully to cut him short to avoid either embarrassment or ill feeling as she did when Mulder attempts to explain the events leading to Roland’s departure from the half way house to Mrs Stodie.

The inspiration for Roland’s character may have been Rain Man but surely the idea of the cryogenic chambers has to be accredited to the film Demolition Man. They are a massive sci-fi shout out and although they have no place in the labs of jet propulsion scientists, they are a fun inclusion. As are the manor of the scientist deaths. The noise Dr. Surnow creates when hitting the fan can only be described as a squelch and the chalk line of Dr. Keats fragmented head draws a wry smile.

The story may boast a fuzzy back story and inconsistency in plot, but there is occasion to laugh and cry. 18 years later and blessed with hindsight we know where all the effort went so it’s forgivable 7/10

Musings:

• The computer software used in early X-Files to render e-fits of criminals and alter their age and appearance is nothing short of other worldly.
• In the word of Kirk Lazuras ‘Everybody knows you never go full retard.’ 

BORN AGAIN Episode 22 Season 1 of The X-Files

Reincarnated botch, even the actors seem bored 3/10

Synopsis: A little girls appears to be killing cops connected by their work in the 80’s but why and how?

The Gansa and Howard MoW collaborations of season one got no better than mediocre and mediocrity is all they could muster here. Inspiration for this episode seems short sighted at best.

Born Again signals a return to conventional X-Files detective work for agents Mulder and Scully not seen and forgotten since Shapes. The agents are brought into this paranormal investigation by Detective Sharon Lazard played by Maggie Wheeler of O.M.G. Janice from Friends fame on the recommendation of her non-descript cop brother who had some sort of involvement on the Tooms case. They meet at New Yorks' 14th precinct, home of the crime scene and terrible police station banter dialogue.

Mulder wastes little time in realising what they are after, he has seen this before, not in some X-File dating back 40 year but in and X-File dating back 16 episodes to Shadows. This episode is bereft of any originality and if anything just plain thoughtless. Why if this girl was the reincarnation of Charlie Morris was she giving psychokinetic abilities? Surely having a vengeful cop in the guise of a five year old girl on a killing spree was a just cause for paranormal escapade. Needless to say Gans-ward got a little carried away on this one, their youthful exuberance is on show, they clearly needed to take a step back and surmise their creation when it was still on the drawing board.

Read into this you will but I find these posts easy to write when I am bashing an episode and fun to write when I am enjoying an episode but with Born Again I am just plain struggling.Even the chemistry between David Duchovny and Gillian Anderson flounders, highlighted further by their wonderful exchanges shared in Darkness Falls and Tooms in the two previous episodes. Scully’s unnecessary presence signifies regression in the writing and is not something seen since Space.

There was some development to be had; Mulder asserts a firm belief in regression hypnotherapy in this episode, this technique of delving into past life and the sub conscious is a popular method in his pursuit for the truth. We first saw it was used on Billy Miles in Pilot and Mulder had already used it on himself to recall his sisters’ abduction. Later Scully will go on to devalue the credibility of regression hypnotherapy but that’s a different post for a different time.

Lacking in so many departments this episode is by no means ever going to be anybody’s favourite but it is watchable in the same way that a low flying plane is watchable, saying ‘oh look a plane’ and then forgetting about it 5 minutes later. 3/10

Musings;

• The plug that attacks Tony Fiore removes itself from the wall socket and appears to look at him before it takes his legs is unintentionally hilarious.
• This was Alex Gansa’s last creative influence on The X-Files story, good. He is the reason I have never seen Homeland which may seem harsh but he is awful in this season. Rant over. 
• Pffft NEXT!

TOOMS Episode 21 Season 1 of The X-Files

Brilliance and Bile 10/10

Synopsis: A court deems the stretchy contortionist Victor Eugene Tooms safe to be released back into the public, Mulder however deems otherwise.

In my last post, Darkness Falls, I touched upon the notion that inspired characters and casting make up the foundations of success for the first season of The X-Files. Enter Mitch Pileggi as Assistant Director Skinner, acting superior to agents Fox Mulder and Dana Scully.  As a body to report to, Skinner offered The X-Files an additional dimension, a new barrier to break down with new avenues to explore and an eventual formidable ally. Pileggi’s powerful character’s share in the first season may only be accredited to three scenes however his inclusion throughout all nine seasons of The X-Files and both films bellow his legendary status. This monopoly on the franchise is bettered by no one other than Mulder and Scully and his characters development is tantamount to the growing success of the series.

Skinner’s presence in this episode is primarily to question the practices that Mulder and Scully use to get result with a clear view to closing The X-Files. He conjects that Mulder has a detrimental effect on those that work closely with him i.e. Scully and that Mulder’s conduct is fuelled by stress brought about by his emotional involvement with The X-Files cases and asks in an apparent sincere manor that he steps back from The X-Files. Skinner’s early innocents dictate that his faith be place with the Cigarette Smoking Man however his mounting involvement with The X-Files will eventually lead him to become the equivalent of a good luck charm complete with muscle and an a whole lot of attitude.

This episode is all about change; new meeting old and I cannot give enough praise to Doug Hutchinson’s reprisal of his role as the predatory slim ball Eugene Victor Tooms. This is early 90’s Doug, a small fish in a big pond with little to note on his C.V. playing a role opposite the television pin up boy of the decade. Unadulterated determination to the character could only be born out of an obsession to make it as an actor. Tooms is given much more screen time than in Squeeze and the decision is validated by Doug’s fight for his place in the show tooth and nail, depicting a Tooms hungrier, smarter and more disgusting than before, his underlying menace seeps out past every crooked smile.

The episode in parts plays out like ‘a day in life of’ for Victor Eugene Tooms. We see him at work, stalking his prey and his methods which can only be described as thinking outside of the box. He shows some dry wit when he is told that the new room he will be staying in is small… ‘I’m sure you’ll be able to squeeze in’ Tooms replies ‘I’m sure’. We learn that he enjoys the taste of rotting rodents as he licks the glove used to pick up a dead rat and that he is unperturbed by the thought of travelling through a sewer pipe and gaining access to a property through a toilet pan. His odd behaviour adds humour to the character to the point of feeling pity and perhaps empathy, it is easy to forget that Tooms never asked to be this way and that putting all our eggs in the Mulder basket can blind us to that fact.

Tooms is a worthy adversary for Mulder. His ability to evade capture by out smarting him is something that vexes Mulder and jabs his ego. A personality trait Mulder displays on numerous occasions across the series, ‘Young at Heart’ and 'Pusher' just to examples. This trait is by no means a shortfall, more of a characteristic better described as a quality. It drives Mulder on to apprehend his suspects.

In short Tooms was dead before he ever left that courtroom and that smug smirk aimed at Mulder on leaving the court room is at fault for the excruciating pain in which the death happened. I’m not saying Mulders a murder but perhaps his latest ordeal with Barnett has gone someway to prompting a reaction.

Mulder is unmistakably aggravated by the courts rejection of the implausible truth he presents and of the release of Tooms from the psychiatric prison, biting at Scully’s doubting of his actions and methods in a stern voice he says ‘Look, Scully, if you're resistant because you don't believe, I'll respect that. But if you're resistant because of some bureaucratic pressure, they've not only reeled you in. They've already skinned you.’ In short you are either with me or with them, an ultimatum that Scully agrees with by ignoring Skinners plea to use methods that act by the book. Mulder later snaps at Scully during a stake out as it becomes apparent Tooms journey under his skin has gained mileage. This is one unhappy Fox.

Needless to say agents Mulder and Scully discover Tooms layer, an escalator pit located in the spot of his old hibernating patch. Mulder ventures down the narrow corridor beneath the escalator to find Tooms bile bonded nest. A woken naked Tooms chases Mulder back up the corridor. Mulder’s narrow escape equals Tooms demise as Mulder activates the elevator tearing him to shreds. This ending is one of the most memorable sequences in X-Files history and cause of a particular recurring nightmare of mine when I was young.

Tooms is an abundant feast of scares and humour, refined plot lines and commendable series development and whose only competition for season one best MoW is EVE. I think Tooms just squeezes out in-front. 10/10

Musings: 

• This episode gave me a mutual respect of my toilet, a caution later validated by season two episode The Host. 
• You can see Tooms bum in the escalator chase scene! Hutchison came up with the idea to get completely naked, and I make him right. 
• C.S.M muttering the three little words ‘course I do’ in endorsement of the phenomenon contained in The X-Files. His first words are telling in that he is a believer. 
• Tooms return signals the first of three MoW sequels. Can you name the other two? 

DARKNESS FALLS Episode 20 Season 1 of The X-Files

Great Buzz 8/10

Synopsis: Mulder and Scully turn prey to ancient carnivorous insect when an investigation into the disappearance of 30 loggers in Olympic National Forest turns into a fight for survival.

The success of The X-Files in its fledgling season was no fluke. The majority of episodes were made up from a recipe of inspired casting, creative paranormal focused plot lines, subtle comedic undertones, solid production values and of course scares and it was this cocktail that established the shows core fan base that it still prevalent today. There are of course exceptions to the rule, flops if you will and guilty pleasures if you won’t. Inconsistency in value from one episode to another is a possibility for the first season of any show as they test the waters, but for a show which very essences is built upon the paranormal I would say it becomes an occupational hazard.

Darkness Falls is a great exhibit of the strength season one had to offer, an unassuming episode that keeps our interest from start to finish. The opening teaser sets the tone, 30 brawny plaid shirted lumber jacks scared witless, scream as they flee hopelessly through the dense boundless woodlands of the Olympic National Forest, Washington State. This vast forest is an ideal setting for this X-File. It is natural and wonderful to behold and at the same time mysterious and dangerous, the peaceful solitude turns into remote isolation and with the threat of darkness comes a sensation of helplessness and intense claustrophobia similar to that of Ice. Man versus nature is obviously the theme and Carter warns us there can only be one winner although ultimately it is the U.S Government.

There is understated comic relief in place throughout the episode, not meant as detraction from the moody ambience but rather a ploy to loll us into a sense of security. The relaxed opening scene between Mulder and Scully in the familiar warmth of the X-Files office acts to divert our attentions away from the horrors that lay in wait. This shroud of blissful ignorance soon disperses as the agents make their way deeper into the woods and we learn that this field trip is going to be no picnic.

The supporting cast all give solid believable performances which helps amalgamate the episode. The agents enlist the help of park ranger Larry Moore as chaperone to the logging site and are accompanied by Steve Humphreys, head of security for the logging company responsible for the missing men. All round good guy Moore is played by Duchovnys’ close friend and scientologist defector Jason Beghe who pulls of the strong outdoorsman man’s man role very convincingly. Humphrey although seemingly pleasant shows overzealous contempt for the eco warriors in an attempt to deflect attention away from his companies’ reckless and illegal logging methods. Doug Spinney plays the logger’s antagonist whose magnanimous nature directly opposes that of Humphreys’ which entertains malevolent undertones.

Spinney in affect sacrifices himself to save agents Mulders and Scully and park ranger Moore and in doing so vindicates Mulders actions of allowing him to leave their base camp along with the car battery, a decision that perplexed Scully, Moore and everyone who has ever watched Darkness Falls it even had Mulder doubting his own decision making. Who are we though to question Mulders choices? Admit it you felt a little guilty.

There are so many factors that make Darkness Falls’ re-watchable and it is always a pleasure to revisit this strong MoW. 8/10

Musings:

• What do you call a camel with three humps?
• Apparently Chris Carters inspiration for this episode came from a tree-ring dating course he took back in his college days. I suppose Darkness Falls justifies his omission from simply dating girls back in his college days.
• The awful microscope affect used is completely allowable because the episode pulls its weight with the aspects that really matter.
• As a foursome of three guys’ one girl, our agents, park ranger and logger man stumble across a cocoon half way up a tree. They decided to send ‘the women’ up in the harness to retrieve the icky insect webbed corpse, very brave guys and very funny. 
• This is one of the few MoW that isn't left open-ended  

SHAPES Episode 19 Season 1 of The X-Files

Sit, Stay, Play Dead 4/10

Synopsis: Mulder and Scully’s investigation into a shooting over a land dispute turns out to be more than just an open and shut case when a savage animal is introduced into the mix.

The episode is by no means an attention grabber let alone attention retainer. It is a werewolf yarn and we all know what a werewolf is and how they work; man gets scratched/bit, man turns into werewolf. Although it seems we are taking our prevailing knowledge for granted as it appears that The X-Files universe is unaccustomed to such myth. So as I watch Mulder and Scully investigate and learn about this nameless phenomenon I find myself reaching for my laptop.

Today I was off on a Native American Google search tangent that started with The Wounded Knee Incident mentioned by Ish during his first exchange with Mulder. I went on to learn more on the Native Americans’ plight against the U.S government , their battles to preserve the lands, their culture, their weapons, their farming methods, their hunting methods, their religion, their casinos. All the while Shapes listlessly stumbles from scene to scene offering little more than soft background stimuli.

This emphatically predictable story was in no way buoyed by the script and direction, which in places was downright awkward, the pinnacle of which has to be Mulders chucking in of the line ‘I want to believe’. When used without the class and the coherent context found at the end of Conduit this epic X-Files tag line is reduced to nothing but a cheap catch phrase.

Scully fairs little better. Her most poignant character trace is the ability to dismiss incomprehensible occurrences with logic and it is a trait we all appreciate, after all its part of what makes The X-Files so great. Although her ability to dismiss the ‘shape shifting’ Kyle Parker as a mountain lion is blind to the point of denial and not the ‘I saw it but I won’t admit it’ denial but the ‘repressed memory that may one day give me a brain tumour’ type of denial. The latter even played out on film to a certain extent when Kyle Parker gave off several loud roars as he was ‘shape shifting’ in the bathroom, the shot of Scully attempting to gain entry to the bathroom is silent. See no evil, hear no evil.

I think that the transformation scene of Kyle Parker into a werewolf still looks great today and finally my Google search tangent had a challenger to my attention. Alas it was a short lived battle of which Google prevailed.

There were other moments in which my curiosity peaks along the way. The castings of Duchovnys’ Twin Peaks co-star Michael Horse for example. As Sheriff Charles Tskany he practically reprises his role of Deputy Tommy Hill in a nod to the early 90’s supernatural drama to which X-Files owes for some of its inspiration.

There was also the backstory to these ‘shape shifting’ events which are attributed as the first ever X-Files. Apparently Edgar J. Hover himself initiated the investigation in 1946. The case, seeming unsolvable was swept under the carpet by Hoover(pun intended), which is a conspiracy in itself I suppose.

I find this episode unintentionally funny which is some sort of bonus I guess but this and its other entertaining facets are too few and far between in an episode guilty of sticking to closely to the myth ultimately causing it to be too banal. I did however get more out of watching this episode than expected, an education into the plight of Native American Man. 4/10

Musings:

• Or rather musing; Mulder breaches the gap left from a history of bloodshed between the U.S. Government and Native Americans. He offers an olive branch which is accepted. Is karma now at work? Is this act of philanthropy what helps the Navajo Indians bring Mulder back to life in ‘The Blessing Way’ Not trying to put too fine a point on it put Karma does play a large part in the Native American belief system. 

Miracle Man Episode 18 Season 1 of The X-Files

Beware false prophets 7/10 

Synopsis: Samuel a supposed miracle healer is tried for murder, Mulder believes in more than just the boy’s innocence.

With the paranormal, evolution and/or aliens the ever present subject matter of The X-Files, it is inevitable conflict and amity with religion developed on a regular basis. Miracle Man represents season ones first and only head on foray into religion. That is if you are wiling to except that ‘The Kindred’ from episode Gender Bender are not a religious sect.

Christianity is first in the firing line, or maybe more the false prophets that exploit the faith instilled in people who are made vulnerable by their lame limbs, old age or prevalent mourning. There are religious television channels that run all day that film these false prophets placing their hands on members of their congregations and ‘heal’ them of their physical and mental burdens using the power given to them by God. If you can’t tell I’m sceptical, although this boy Samuel, he has me believing.

I watched with my very own eyes this young boy put his hands upon a dead man, a man burned alive minutes before in a fiery car crash, I watched as he asked this man to rise, rise up and heal using the power of faith and the power of God. I saw that man rise from the ashes as if he were Lazarus himself.

Make no bones about it this boy is the real deal, and if we are to believe the blatant New Testament imagery he is also the second coming of Jesus. While running the risk of patronising you I shall lazily list these metaphors:

• He performed Miracles.
• He was arrested and wrongly accused.
• He was beaten to death whilst in the ‘crucifixion’ pose.
• He forgave the man that had him killed.
• He rose from the dead and disappeared.
• He drank beer and got into fights.

The writers cleverly used Samuel divine powers to reignite the interest in the story line surrounding Mulders abducted sister. First Samuel envisages Samantha’s abduction he then shows visions of Samantha to Mulder. This not only gave Mulder reason to belief in Samuels’s powers and thus find the real suspect but also re-opened the book on Fox’s hunt for his sister for the first time since episode Conduit.

With Miracle Man following E.B.E, an episode that really kicked started the alien conspiracy mythology, there was a lot to get excited about and it was no coincidence that household ratings went in to ascendency following them.

With the exception of the first episode Pilot, this is the first episode that leaves you guessing on the suspect. I’m not saying that it is or is not difficult to figure out (I didn’t have a clue), what I am saying is that we normally know who the perpetrator is before we are treated to Mark Snow’s eerie score. This will become a more established template for future MoW episodes as we watch The X-Files evolve.

An enjoyable episode that offers up a surprise killer and small amount of early Samanthology. 7/10

Musings;

• Mulder already knows of the Reverend Calvin Hartley and of his son Samuel’s healing powers before Scully show him the case. He doesn’t explain why, perhaps he read about it in The Lone Gunman or maybe he previously looked into seeing Samuel about his sister. Or maybe he just saw him on the GOD Channel.
• Scully refers to her catholic faith saying that ‘God never lets the Devil still the show’ Reference to Sully’s faith is few and far between in the first season but are later established frequently.
• I found the trail of food left on the roof to the ventilation shaft for the locus is hilarious. They are insects not Hansel and Gretel.
• Vance went a little far with the Locus thing as it left a paper trail back to him, not that it mattered in the end.
• Best quote undoubtedly goes to Mulder ‘Remember, the boy did rise from the dead. That kind of thing happens only once or twice every two thousand years or so.’
• Sheriff Daniels wrongly persecuted Samuels and had him beaten to death in his cell. He then got arrested and most probably imprisoned, leaving his paralysed wife to a life of solitude and himself to a life behind bars with criminals he would of helped to send there. What was this guy’s motivation or am I missing out on some New Testament imagery????